Dinosaur - * * 1/2*

A combination live-action/computer animation/stop motion film about why the dinosaurs became extinct. D.B. Sweeney voices the main character, a dinosaur raised by lemurs. When a giant asteroid threatens, the lone dinosaur leads the lemurs to safety, while his fellow dinosaurs become extinct, thus ensuring the rise of the mammals. Kiefer Sutherland, D.B. Sweeney, Joan Plowright, Alfre Woodard, Samuel E. Wright, Ossie Davis, Della Reese, Jonathan Harris and Juliana Margulies will provide voices. Previously titled Dinosaurs and Expedition.

Capsule Review: This film is packed with wonderful eye-candy. The first ten minutes, or so, are dialogue free. They play so well that it is a complete disappointment when the dinos begin to talk. Suddenly, the film is thrust back into being an average animated feature, with little merit or originality. It’s a shame…Dinosaur feels like the next step in cartoon evolution, but is unfortunately shackled to the past. Some violent scenes might frighten the youngest kiddies, but children will definitely get more out of this film than adults

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Road Trip - * 1/2*

Todd Phillips directs this tale of four college students travelling 1000 miles to another college. Amy Smart, Sean William Scott, Andy Dick, Rachel Blanchard, Tom Green and Breckin Meyer star.

Capsule Review: Road Trip plays like a dumbed-down version of last year’s American Pie. It has some good laughs, but few memorable ones. Tom Green’s brief appearance is notable, but if you’ve seen the film trailer, you’ve seen all the best bits. Road Trip is mindlessly entertaining, but not worth much effort

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Hamlet - * *

Contemporary retelling of Shakespeare’s famous play. Ethan Hawke stars as Hamlet. Also starring are Kyle MacLachlan (Claudius), Sam Shepard (The Ghost), Julia Stiles (Ophelia), Diane Venora (Gertrude) and Bill Murray (Polonius). Liev Schrieber, Steve Zahn, Casey Affleck and Jeffrey Wright will also star. Michael Almereyda adapted the play and will direct.

Capsule Review: A flat and uninteresting adaptation of Hamlet. Almereyda’s modern adaptation attempts to update the Bard’s most famous work into the world of corporations and camcorders. However, his effort seems strained at best. Unlike William Shakespeare’s Romeo & Juliet, which at least created an internally consistent fantasy world, Hamlet seems uneven, choppy, and not that interesting. There are plenty of excellent Hamlet adapations out there. This is not one of them.

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Battlefield: Earth - *

Roger Christian directs this adaptation of L. Ron Hubbard’s sci-fi novel. John Travolta will star as the alien overlord of a conquered Earth. Barry Pepper will play Jonnie Goodboy, the human who opposes him. Forest Whitaker, Kim Coates, Sabine Karsent, Richard Tyson and Michael Byrne also star.

Capsule Review: Battlefield Earth is a pretty terrible film. It shamelessly steals from sci-fi films of the past to create a tale that…well…just isn’t all that interesting. Some of the special effects are fair, but the plot is so vacuous that the film’s not even worth watching purely on the basis of eye candy. It’s not utterly horrible (like Supernova, for example), but not worth watching either.

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Gladiator - * * *

Welcome to the madness and mayhem of gladatorial combat, where people line up for miles around to get a glimpse of the fighting on the big screen…or make that the arena floor. Director Ridley Scott ushers in the return of the Roman epic with his film, Gladiator. It is a film that captures the spectacle, but not the heart (or the history) of the Roman films of old.

The film opens with the armies of the dying emperor Marcus Aurelius (Richard Harris) in battle with the fearsome Germans. The chief general of the Romans, Maximus (Russell Crowe), is a strong leader, and Marcus Aurelius decides to name him as the next emperor of Rome.

Naturally, this doesn’t sit with Marcus Aurelius’ oldest living son, Commodus (Joaquin Phoenix), who schemes to capture the throne for himself. In doing so, he strips Maximus of his rank, and sends him to his death.

But, through a twist of fortune, Maximus ends up a slave in Zucchabar, forced to fight in gladiatorial combats to the death. Can Maximus survive the games long enough to gain his revenge?

Though a completely fictional story, Gladiator flirts with historical significance. Both the setting (Rome, 180 A.D.), and several characters (most notably the emperors Marcus Aurelius and Commodus) are lifted directly from the pages of history. However, a perplexing final scene does a bit more than fudge history, it launches the film into a parallel universe with little historical similarity to our own. Anyone familiar with the Roman Empire will be drawn out of the movie’s spell, which is a pity.

But, this film was not made for scholars. No, like the gladiatorial games themselves, this film is made for the spectacle of it all. And, when that spectacle is onscreen, the action is riveting. From battling armies, to duels to the death, Gladiator is impressive (though bloody) to watch.

And yet, for a film entitled “Gladiator”, where is all the gladiating? We are given three memorable trips to the floor of the arena (and a simpering finale which is merely pandering to the audience), and that is it.

What does the film do with the rest of the time? Drama…and cheesy drama at that. The story is a very simple tale of vengeance that makes Braveheart seem like a work of Shakespeare in comparison.

Joaquin Phoenix makes a slimy emperor to be sure, but he lacks enough dramatic presence to be a truly sinister villain. Russell Crowe is a much more admirable heroic figure, but this is his lightest role since Virtuosity. Only in some brief supporting roles do we get to see some solid acting (by Richard Harris and the late Oliver Reed).

Like a recreated battle on the arena floor, the story of Gladiator is just the window dressing for the carnage which ensues, and the end result may not quite jibe with history. But, for those with a taste for carnage, Gladiator has plenty to share.

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Time Code - * *

Mike Figgis directs this experimental, improvised thriler. Stellan Skarsgard, Salma Hayek, Saffron Burrows, Holly Hunter, Jeanne Tripplehorn, Kyle MacLachlan, Leslie Mann, Julian Sands, Mia Maestro, Alessandro Nivola, Richard Edson, Danny Huston, Aimee Graham, Xander Berkeley, Viveka Davis, Golden Brooks and Steven Weber will star.

Capsule Review A highly unusual film, Time Code presents four simultaneous views of its convoluted plot. Yes, the screen is divided into quadrants, and the film plays out in real time. It’s actually more watchable than the technique sounds, but the plot never makes this one worth while. It’s interesting only in a technical sense.

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The Big Kahuna - * * *

John Swanbeck directs this 16mm film starring Kevin Spacey, Danny DeVito and Peter Facinelli as a trio of salesmen at an industrial lubricans convention in Wichita. Roger Rueff adapted his comic play. Previously titled Hospitality Suite.

Capsule Review: Very obviously a play adapted for the screen (The Big Kahuna takes place almost exclusively on one set), but this one has good enough dialogue that you don’t care. A somewhat allegorical tale comparing Christian beliefs to the business world, this is one story that will have you ruminating for quite a while after the credits roll. All three actors deliver meaty performances (and the youthful Peter Facinelli manages to hold his own against veterans Spacey and DeVito). This is definitely one film that doesn’t want you to turn your brain off at the door.

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The Flintstones in Viva Rock Vegas - *

The Flintstones in Viva Rock Vegas

Yep, it’s a prequel to The Flintstones. Young newlyweds Fred (Mark Addy) and Wilma (Kristen Johnson) leave their puppy Dino with friends Barney (Stephen Baldwin) and Betty (Jane Krakowski) to go on a trip to Rock Vegas. Joan Collins will play Wilma’s mother, Pearl Slaghoople, and Harvey Korman will play her husband. Thomas Gibson will play Chip Rockefeller, the richest man in Rock Vegas, who has an eye on Wilma. Alan Cummings will play The Gret Gazoo. Brian Levant directs.

Capsule Review: Does anyone really think we needed a prequel to the live-action Flintstones movie? This is a film based on a film based on a cartoon show based on a television skit. You know what they say about a copy of a copy? It holds true here, and what we’re left with is a fuzzy, indistinct plot with little merit. Jane Krakowski is the only improvement from the previous film, delivering a spot-on performance as Betty. The special effects are somewhat grander, but at it’s core, this movie is much more hollow than a cartoon.

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Where the Heart Is - * *

Matt Williams directs Natalie Portman as a pregnant teen abandoned by her boyfriend in an Oklahoma Wal-Mart store. Dylan Bruno, Stockard Channing, Joan Cusack and Ashley Judd will also star. Sally Field will have a cameo. Based on Billie Letts’ novel. Previously titled Where the Heart Is.

Capsule Review: An overly packed melodrama, Where the Heart Is should have jettisoned a good chunk of its subplots. Still, the film is not all bad. A strong central performance from Natalie Portman holds this one together…but barely.

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Frequency - * * 1/2*

Gregory Hoblit directs this thriller about a fireman (Dennis Quaid) in 1969 who mysteriously communicates over a ham radio with his son (Jim Caviezel), a homicide cop thirty years in the future. During a deadly blaze, his son tries to warn him of his own death. Elizabeth Mitchell, Andre Braugher, Jordan Bridges, Michael Cera, Noah Emmerich, and Frank McAnulty also star.

Capsule Review: Touching, but flawed, Frequency is a crowd-pleasing movie that never makes much sense. For a movie like this to work, it has to set certain ground rules…but Frequency plays by ear, and the result is a discordant symphony. Still, good performances by Quaid and Caviezel will pluck the father-son heartstrings in the audience.

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