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		<title>Welcome to the new Cinematter!</title>
		<link>http://www.cinematter.com/blog/2011/06/01/hello-world/</link>
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		<description><![CDATA[Welcome to the New Cinematter.  New content will be appearing here soon!  Hopefully&#8230;]]></description>
			<content:encoded><![CDATA[<p>Welcome to the New Cinematter.  New content will be appearing here soon!  Hopefully&#8230;</p>
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		<title>Best of 2010</title>
		<link>http://www.cinematter.com/blog/2010/12/31/best-of-2010/</link>
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		<pubDate>Sat, 01 Jan 2011 05:59:09 +0000</pubDate>
		<dc:creator>Madeleine Williams</dc:creator>
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		<category><![CDATA[2010]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1838</guid>
		<description><![CDATA[I saw a record 633 films (new and old) during 2010&#8230;here were my various favorites, starting with vintage film picks, then 2010: BEST PREVIOUSLY UNSEEN NATIONAL FILM REGISTRY FILM, RUNNER UP &#8211; Love Me Tonight (1932) &#8211; Rodgers and Hart &#8230; <a href="http://www.cinematter.com/blog/2010/12/31/best-of-2010/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I saw a record 633 films (new and old) during 2010&#8230;here were my various favorites, starting with vintage film picks, then 2010:<br />
BEST PREVIOUSLY UNSEEN NATIONAL FILM REGISTRY FILM, RUNNER UP &#8211; Love Me Tonight (1932) &#8211; Rodgers and Hart present the first great musical<br />
BEST PREVIOUSLY UNSEEN NATIONAL FILM REGISTRY FILM &#8211; Tol&#8217;able David (1921) &#8211; Powerful silent gem about bravery and heroism<br />
BEST SILENT NATIONAL FILM REGISTRY FILM SEEN IN 2010, RUNNER UP &#8211; Modern Times (1936) &#8211; Chaplin&#8217;s absolute masterpiece of comedy<br />
BEST SILENT NATIONAL FILM REGISTRY FILM SEEN IN 2010 &#8211; Sunrise: A Song of Two Humans (1927) &#8211; One of the most beautiful love stories ever<br />
BEST NATIONAL FILM REGISTRY FILM SEEN IN 2010, RUNNER UP &#8211; All About Eve (1950) &#8211; Deserves to be here for its sharp crackling wit alone<br />
BEST NATIONAL FILM REGISTRY FILM SEEN IN 2010 &#8211; Vertigo (1958) &#8211; Hitchcock&#8217;s best film.  Enough said.<br />
BEST NON-NFR VINTAGE FILM SEEN IN 2010, RUNNER UP &#8211; The Passion of Joan of Arc (1928) &#8211; Fascinating, tragic portrait of Joan of Arc&#8217;s trial<br />
BEST NON-NFR VINTAGE FILM SEEN IN 2010 &#8211; Random Harvest (1942) &#8211; A hackneyed premise (amnesia) is made into a wonderful romantic tearjerker<br />
BEST UNRELEASED FILM, RUNNER UP &#8211; SUPER &#8211; This darrrk comedy is the best of the regular-guy-tries-to-be-a-superhero trend<br />
BEST UNRELEASED FILM &#8211; Tabloid &#8211; Why hasn&#8217;t Errol Morris&#8217; documentary about a truly bizarre kidnapping case been released yet?<br />
MOST OVERLOOKED 2010 FILM, RUNNER UP &#8211; Ondine &#8211; Lyrical modern fairytale about a fisherman and a woman who may be a mythical selkie<br />
MOST OVERLOOKED 2010 FILM &#8211; Agora &#8211; Rachel Weisz is amazing in this lavish biopic about Hypatia and the Great Library of Alexandria<br />
MOST DISAPPOINTING 2010 FILM, RUNNER UP &#8211; Hereafter &#8211; Clint Eastwood and Matt Damon can&#8217;t enliven this limp trilogy of afterlife tales<br />
MOST DISAPPOINTING 2010 FILM &#8211; Never Let Me Go &#8211; This minimal sci-fi tale never gets off the ground, and ends up a wishy-washy mess<br />
WORST 2010 FILM, RUNNER UP &#8211; Film Socialism &#8211; It is sad to see the once great Jean-Luc Godard deface his filmography with trash like this<br />
WORST 2010 FILM &#8211; Skyline &#8211; The horror! The horror!  Show any invading aliens this film, and they&#8217;d commit suicide on the spot!<br />
BEST 2010 MOVIE TRAILER, RUNNER UP &#8211; The Social Network &#8211; The angelic chorus, the random statuses, and the sharp dialogue combine perfectly<br />
BEST 2010 MOVIE TRAILER &#8211; Inception &#8211; Introduces the film&#8217;s iconic score (BRRRAAAAAAMMMMMP!) and a tasty glimpse of the movie&#8217;s twists<br />
BEST 2010 HORROR FILM, RUNNER UP &#8211; Daybreakers &#8211; What happens AFTER the vampire apocalypse?  Wonder no more&#8230;<br />
BEST 2010 HORROR FILM &#8211; Let Me In &#8211; A remake that is as good as the celebrated original<br />
BEST 2010 COMEDY, RUNNER UP &#8211; Hot Tub Time Machine &#8211; Never quite reaches its potential, but this goofy film has plenty of laughs<br />
BEST 2010 COMEDY &#8211; The Other Guys &#8211; This buddy cop parody gets the humorous tone just right as it tweaks all sorts of action film cliches<br />
BEST 2010 ANIMATED FILM, RUNNER UP &#8211; Tangled &#8211; The best non-Pixar Disney film in nearly twenty years<br />
BEST 2010 ANIMATED FILM &#8211; The Illusionist &#8211; A nearly dialogue-free touchingly beautiful gem from France<br />
BEST 2010 FOREIGN FILM, RUNNER UP &#8211; Micmacs &#8211; Quirky and delightful fun from Amelie filmmaker Jean-Pierre Jeunet.  Packed with detail!<br />
BEST 2010 FOREIGN FILM &#8211; A Prophet &#8211; This epic prison drama has been compared to the Godfather, and for good reason&#8230;</p>
<p>BEST 2010 SCENE, RUNNER UP &#8211; The Ward vs. Sanchez fight in The Fighter<br />
BEST 2010 SCENE &#8211; The shifting gravity hallway sequence in Inception<br />
BEST 2010 SCREENPLAY, RUNNER UP &#8211; The Ghost Writer &#8211; A solid, taut thriller that feels familiar yet keeps you guessing<br />
BEST 2010 SCREENPLAY &#8211; The Social Network &#8211; Witty rapid-fire banter galore!<br />
BEST 2010 ACTRESS, RUNNER UP &#8211; Natalie Portman, Black Swan &#8211; Portman is stunning as a mentally unstable ballerina<br />
BEST 2010 ACTRESS &#8211; Nicole Kidman, Rabbit Hole &#8211; An amazing portrait of one woman&#8217;s attempts to rise above grief<br />
BEST 2010 ACTOR, RUNNER UP &#8211; Robert Duvall, Get Low &#8211; I&#8217;m not usually a Duvall fan, but he truly delivers the goods here<br />
BEST 2010 ACTOR &#8211; James Franco, 127 Hours &#8211; Alone for the bulk of the film, he completely captivates your attention.  Wow!<br />
BEST 2010 FILM, RUNNER UP &#8211; The King&#8217;s Speech &#8211; A wonderful ensemble cast in a classically entertaining story that never takes a misstep<br />
BEST 2010 FILM &#8211; 127 Hours &#8211; Don&#8217;t let fear of &#8220;the scene&#8221; keep you away from this amazingly powerful film.  The year&#8217;s best.</p>
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		<title>Best Films of the Decade</title>
		<link>http://www.cinematter.com/blog/2009/12/31/best-films-of-the-decade/</link>
		<comments>http://www.cinematter.com/blog/2009/12/31/best-films-of-the-decade/#comments</comments>
		<pubDate>Fri, 01 Jan 2010 05:59:06 +0000</pubDate>
		<dc:creator>Madeleine Williams</dc:creator>
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		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1834</guid>
		<description><![CDATA[I&#8217;ve seen 1857 films over the past 10 years&#8230;.time to count down my top 100 of the 00s&#8230;. #100 &#8211; In the Loop &#8211; Caustically funny and scathing look at the politics of selling a war. A perfect film to &#8230; <a href="http://www.cinematter.com/blog/2009/12/31/best-films-of-the-decade/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div lang="x-western">I&#8217;ve seen 1857 films over the past 10 years&#8230;.time to count down my top  100 of the 00s&#8230;.</div>
<div lang="x-western">#100 &#8211; In the Loop &#8211; Caustically funny and scathing look at the politics  of selling a war. A perfect film to sum up the 00s. (7/24/09)<br />
#99 &#8211; 28 Days Later &#8211; The fast zombie hits the mainstream in this  exciting thriller. Yeah yeah, they weren&#8217;t REALLY zombies. (6/28/03)<br />
#98 &#8211; Volver &#8211; Penelope Cruz is outstanding in this ghost  story/thriller/comedy by renowned Spanish director Pedro Almodovar. (9/9/06)<br />
#97 &#8211; The New World &#8211; Terrence Malick&#8217;s hauntingly gorgeous film about  the raw beauty of early America, and our fall from grace. (1/21/06)<br />
#96 &#8211; <a title="Wonder Boys" href="http://www.cinematter.com/blog/2000/02/23/wonder-boys/">Wonder Boys</a> &#8211; Downey Jr. &amp; Maguire foreshadow their strong decade  , but Michael Douglas is superb in his best role ever. (2/24/00)<br />
#95 &#8211; Night Watch &#8211; Those darn Russians one-up us in the Vampire genre  in the film with perhaps the best designed subtitles ever! (2/18/06)<br />
#94 &#8211; Crouching Tiger, Hidden Dragon &#8211; Ang Lee brings wuxia to the  masses in his beautiful martial arts epic. (12/6/00)<br />
#93 &#8211; Tropic Thunder &#8211; The one with the dude playin&#8217; a dude, disguised  as another dude. (8/14/08)<br />
#92 &#8211; Serenity &#8211; You need to see Firefly to truly appreciate the best  space opera of the decade, but what are you waiting for? (9/30/05)<br />
#91 &#8211; Casino Royale &#8211; James Bond is back, and, well, better than he&#8217;s  been since the days of Sean Connery. (11/17/06)<br />
#90 &#8211; Millions &#8211; Two British kids find a suitcase of money in this  delightful film showing the range of director Danny Boyle. (9/16/04)<br />
#89 &#8211; An Education &#8211; Carey Mulligan is a modern-day Audrey Hepburn in  this wonderful British coming-of-age drama. (9/10/09)<br />
#88 &#8211; Iron Man &#8211; Downey Jr. proves a superhero doesn&#8217;t have to be all  Broody McBroodersons to make a fun, exciting action film. (5/3/08)<br />
#87 &#8211; The Devil Wears Prada &#8211; Who&#8217;d have thought that an Anne Hathaway  vehicle based on a trashy novel could be so entertaining? (6/30/06)<br />
#86 &#8211; Star Trek &#8211; This great reboot will fuel the fire of Hollywood&#8217;s  remake craze, but if they&#8217;re as good as this, who cares. (5/10/09)<br />
#85 &#8211; Slumdog Millionaire &#8211; Danny Boyle&#8217;s third film on my list so far  is a vibrant slice of Bollywood, fun and full of life. (9/10/08)<br />
#84 &#8211; Stranger Than Fiction &#8211; Will Ferrell&#8217;s best movie is the one where  he plays the least Will Ferrell-ish character. (11/11/06)<br />
#83 &#8211; The Aviator &#8211; Scorsese, DiCaprio, &amp; Blanchett are all great here.  But the true star is the era-appropriate cinematography! (12/18/04)<br />
#82 &#8211; Shaun of the Dead &#8211; Not only the best of the decade&#8217;s many zombie  comedies, but one of the best zombie movies overall. (9/25/04).<br />
#81 &#8211; Borat &#8211; Sacha Baron Cohen&#8217;s improv mockumentary feels like a  great, hilarious Andy Kaufman bit. (11/3/06)<br />
#80 &#8211; I Heart Huckabees &#8211; No, not an endorsement for the GOP  candidate&#8230;but one of the funniest existential comedies around! (9/11/04)<br />
#79 &#8211; A.I.: Artificial Intelligence &#8211; Often overlooked due to the slight  misfire of an ending, this is some very good sci fi. (6/30/01)<br />
#78 &#8211; District 9 &#8211; Just when the summer action flicks seemed doomed to  be brainless forever, along came this breath of fresh air. (8/15/09)<br />
#77 &#8211; Harry Potter &amp; The Prisoner of Azkaban &#8211; The best of the Harry  Potter films brought some needed originality to the series. (6/6/04)<br />
#76 &#8211; Shattered Glass &#8211; Proof that Hayden Christensen CAN act, plus a  great supporting cast, and an insightful look at the media. (9/10/03)<br />
#75 &#8211; The Savages &#8211; A darkly comic look at family dysfunction. Philip  Seymour Hoffman and Laura Linney are just perfect. (9/12/07)<br />
#74 &#8211; The Queen &#8211; Excellent performances are what make this familiar  story fascinating. Helen Mirren is simply amazing.(10/20/06)<br />
#73 &#8211; Donnie Darko &#8211; It takes a few viewings of this sci-fi mindtrip to  grasp all the subtleties, but it&#8217;s well worth the effort (10/26/01)<br />
#72 &#8211; The Illusionist &#8211; The first and best of 2006&#8242;s period magician  movies has a fascinatingly twisty story. (7/28/06)<br />
#71 &#8211; Howl&#8217;s Moving Castle &#8211; Often thought as a lesser Miyazaki work,  this animated fantasy is full of life and simply gorgeous. (6/10/05)<br />
#70 &#8211; Bright Star &#8211; The most romantic movie of 2009 is this biopic of  poet John Keats and his neighbor Fanny Brawne. (9/11/09)<br />
#69 &#8211; Hedwig and the Angry Inch &#8211; A fun and inventive glam rock musical  about finding your other half. (8/31/01)<br />
#68 &#8211; Up &#8211; Deserves the spot on this list for the moving marriage  montage alone. (5/30/09)<br />
#67 &#8211; Return of the King &#8211; The most satisfying movie trilogy of all time  comes to a conclusion without dropping in quality. (12/17/03)<br />
#66 &#8211; Hotel Rwanda &#8211; Brutal and devastating, this portrait of the  genocide in Rwanda is a powerful, powerful film. (9/13/04)<br />
#65 &#8211; The Triplets of Belleville &#8211; One of the most inventive animated  films of the decade delights, even with almost no dialogue. (11/26/03)<br />
#64 &#8211; Dear Zachary &#8211; One of the most emotionally powerful films of the  past ten years is this little seen documentary about loss. (12/7/08)<br />
#63 &#8211; <a title="High Fidelity" href="http://www.cinematter.com/blog/2000/03/31/high-fidelity/">High Fidelity</a> &#8211; A very successful adaptation of Nick Hornby&#8217;s  novel that manages to exceed its already good source material. (3/28/00)<br />
#62 &#8211; The Departed &#8211; Scorsese&#8217;s best work in ten years is this taut  crime thriller that pulls no punches. (10/7/06)<br />
#61 &#8211; The Dark Knight &#8211; Ledger took the glory, but the true star here is  Nolan, whose brilliant direction revived the franshise. (7/19/08)<br />
#60 &#8211; The Host &#8211; This inventive take on the giant monster movie deftly  slips genres, but always in a highly entertaining way. (9/8/06)<br />
#59 &#8211; Little Children &#8211; The raw sexual tension between Winslet and  Wilson is mesmerizing in this fascinating study of suburbia. (9/13/06)<br />
#58 &#8211; Sweeney Todd &#8211; A Johnny Depp musical could have been a complete  trainwreck, but instead is a darkly funny &amp; bloody delight! (12/21/07)<br />
#57 &#8211; The Magic Flute &#8211; Kenneth Branagh&#8217;s magical musical adaptation of  Mozart&#8217;s opera. Tragically unreleased in North America. (9/15/06)<br />
#56 &#8211; Juno &#8211; Twee, sure. Full of Diablo Codyisms, yep. But overlooked  among the comedy are several stellar performances. (9/8/07)<br />
#55 &#8211; Bowling for Columbine &#8211; Michael Moore&#8217;s best documentary (sorry  Fahrenheit 9/11) is humorous, informative and surprising. (9/8/02)<br />
#54 &#8211; Million Dollar Baby &#8211; Clint Eastwood&#8217;s best directorial outing  dared to deviate from the clichéd sports movie formula. (12/15/04)<br />
#53 &#8211; Little Miss Sunshine &#8211; The best little family road trip since  National Lampoon&#8217;s Vacation! (7/28/06)<br />
#52 &#8211; Everything is Illuminated &#8211; This mesmerizing film combines moving  drama and high farce; plus the Gogol Bordello is divine! (9/14/05)<br />
#51 &#8211; Bend it Like Beckham &#8211; A really fun film that is part sports  comedy, part clash-of-cultures drama. (9/12/02)<br />
#50 &#8211; Spirited Away &#8211; Miyazaki&#8217;s amazingly beautiful masterpiece was the  best traditionally animated film of the decade. (9/9/02)<br />
#49 &#8211; (500) Days of Summer &#8211; This quirky not-quite-a-romantic-comedy  takes chances and succeeds with its non-linear storyline. (3/29/09)<br />
#48 &#8211; The Curious Case of Benjamin Button &#8211; A gorgeous story is enhanced  by stellar aging and de-aging special effects. (12/26/08)<br />
#47 &#8211; Punch-Drunk Love &#8211; Paul Thomas Anderson shows his deft touch with  this unusual romantic comedy. Sandler&#8217;s best by a mile. (9/14/02)<br />
#46 &#8211; Away From Her &#8211; Julie Christie&#8217;s performance is simply devastating  in this tale of Alzheimer&#8217;s unforeseen effects. (9/12/06)<br />
#45 &#8211; Ratatouille &#8211; Pixar can do anything: they make a rat in a kitchen  seem not only appetizing, but desirable! (6/29/07)<br />
#44 &#8211; Gone Baby Gone &#8211; Perhaps Ben Affleck should spend his time  directing if the results would be as engrossing as this mystery. (10/19/07)<br />
#43 &#8211; Munich &#8211; Spielberg&#8217;s best since Saving Private Ryan is this  thoughtful examination of the implications of revenge. (12/23/05)<br />
#42 &#8211; Let the Right One In &#8211; This creepy, yet moving, child vampire  romance one-ups the Twilight saga in every way. (11/1/08)<br />
#41 &#8211; Before Sunset &#8211; The perfect sequel to Richard Linklater&#8217;s romance,  Before Sunrise. It&#8217;s like catching up with old friends. (7/2/04)<br />
#40 &#8211; The Road &#8211; As bleak as the book, but Viggo&#8217;s performance keeps the  fire alive in this powerful tale of the postapocalypse. (9/13/09)<br />
#39 &#8211; Flame &amp; Citron &#8211; A film about resistance fighters in WWII, full of  double-crosses and great Tarantino-esque action pieces. (9/06/08)<br />
#38 &#8211; Avatar &#8211; The best of the 3-D movie renaissance over the past  decade. In terms of sheer spectacle, it&#8217;s hard to top. (12/18/09)<br />
#37 &#8211; The 40-Year-Old Virgin &#8211; None of the tidal wave of Apatow-produced  comedies that followed has matched this one&#8217;s heart. (8/20/05)<br />
#36 &#8211; About a Boy &#8211; A wonderful film about friendship, growing up, and  connecting with people. A perfect role for Hugh Grant. (5/17/02)<br />
#35 &#8211; No Country for Old Men &#8211; The Coen bros. go bleak and violent, to  spectacular effect. Bardem is simply amazing, friend-o. (9/10/07)<br />
#34 &#8211; A Single Man &#8211; In this exceedingly stylish and heartbreaking film,  Colin Firth gives the performance of his career. (9/14/09)<br />
#33 &#8211; Zodiac &#8211; A visually striking police procedural disguised as a  serial killer flick, but easily the best since LA Confidential. (3/2/07)<br />
#32 &#8211; The King of Kong &#8211; The best documentary of the decade may be about  arcade games, but it&#8217;s packed full of fun thrills. (1/29/08)<br />
#31 &#8211; Best in Show &#8211; Christopher Guest is King of the Mockumentary, and  this hilarious one about dog shows is easily his best. (9/27/00)<br />
#30 &#8211; Oldboy &#8211; A tragic South Korean masterpiece. The hallway hammer  fight is one of the best action sequences of all time. (3/26/05)<br />
#29 &#8211; Thank You For Smoking &#8211; Jason Reitman&#8217;s caustic satire is  enormously funny, and a perfect debut for the talented director. (9/11/05)<br />
#28 &#8211; The Brothers Bloom &#8211; This quirky and imaginative con artist comedy  from writer-director Rian Johnson is delightfully funny. (9/11/08)<br />
#27 &#8211; Brick &#8211; Rian Johnson&#8217;s FIRST film was even better, a  high-school-set film noir with rapid-fire sharp dialogue. (5/6/06)<br />
#26 &#8211; Once &#8211; A musical stripped down to its basics. Raw emotion and  great music can make a simple film simply beautiful. (5/16/07)<br />
#25 &#8211; Billy Elliot &#8211; An incredibly moving film about following one&#8217;s  passions, no matter what others think. (10/13/00)<br />
#24 &#8211; Atonement &#8211; A heartbreaking drama about love, misunderstandings,  and the inability to make amends. Great debut by Ronan. (9/10/07)<br />
#23 &#8211; Spider-Man 2 &#8211; A perfect superhero film, that manages to improve  on the first with the addition of a non-ridiculous villain. (6/30/04)<br />
#22 &#8211; Requiem for a Dream &#8211; Bleak, bleak, bleak&#8230;but oh, so beautiful.   Hard to watch, but you never forget it once you do.  (11/24/00)<br />
#21 &#8211; Chicago &#8211; Stylish and filled with energy, this musical is full of  good acting, sharp dialogue, and great music. (12/28/02)<br />
#20 &#8211; The Incredibles &#8211; Brad Bird delivers this fantastic superhero  riff, where the family dynamic is as good as the action. (11/5/04)<br />
#19 &#8211; Kill Bill, Volume One &#8211; Tarantino&#8217;s action-packed, genre-bending  tribute to 70s cinema is his best since Pulp Fiction. (10/10/03)<br />
#18 &#8211; Pan&#8217;s Labyrinth &#8211; Part magical fairy-tale, part retreat from the  horror of war, it&#8217;s amazing no matter how you look at it. (9/13/06)<br />
#17 &#8211; Fellowship of the Ring &#8211; Epic, gorgeous, fun, and above all  faithful, this entry proved Peter Jackson had the magic touch.  (12/19/01)<br />
#16 &#8211; Moulin Rouge &#8211; Luhrmann&#8217;s brilliant take on the musical is full of  more energy and life than anything seen before or since. (6/1/01)<br />
#15 &#8211; O Brother, Where Art Thou? &#8211; The Coens deliciously adapt Homer&#8217;s  Odyssey as a madcap 1930s Southern comedy, and it works! (12/22/00)<br />
#14 &#8211; WALL-E &#8211; Who would have thought a Disney cartoon could present  such a dystopian future? And a smart one, too. Thanks, Pixar! (6/28/08)<br />
#13 &#8211; The Hurt Locker &#8211; Not just a great war movie, but one of the best  collections of edge-of-your-seat thrill sequences around. (9/8/08)<br />
#12 &#8211; The Sea Inside &#8211; Javier Bardem gives a searing and unforgettable  performance in this Spanish film about the right to die. (9/15/04)<br />
#11 &#8211; Finding Nemo &#8211; Pixar&#8217;s best uses a tired buddy-comedy-road-trip  formula that shouldn&#8217;t work&#8230;but it does and it&#8217;s magical. (5/30/03)<br />
#10 &#8211; Up in the Air &#8211; Reitman&#8217;s examination of the transitions in life  and the importance of connections is perfect for our time. (9/12/09)<br />
#9 &#8211; Kiss Kiss, Bang Bang &#8211; An overlooked, underappreciated gem. Perhaps  the funniest action comedy in at least twenty years. (9/8/05)<br />
#8 &#8211; In America &#8211; A moving portrait of modern-day Irish immigrants in  New York. One of the best unabashed tearjerkers around. (9/14/02)<br />
#7 &#8211; 25th Hour &#8211; Spike Lee&#8217;s best film since the 80s&#8230;and maybe ever.   An ode to post-9/11 NY, and the tragic loss of potential. (12/19/02)<br />
#6 &#8211; Memento &#8211; More than just a gimmick, Christopher Nolan&#8217;s fun puzzle  of a film is suspenseful even when you know what happens. (3/17/01)<br />
#5 &#8211; There Will Be Blood &#8211; Daniel Day Lewis&#8217;s portrait of obsession is a  masterful performance in a masterpiece of a film. (12/26/07)<br />
#4 &#8211; Brokeback Mountain &#8211; More than just the &#8220;gay cowboy&#8221; movie, this is  a heartrending romance and a tragic tale of repression.  (9/12/05)<br />
#3 &#8211; Eternal Sunshine of the Spotless Mind &#8211; A beautifully mindbending  romantic piece of SF about memory, precious and painful. (3/19/04)<br />
#2 &#8211; Children of Men &#8211; A haunting near-future drama about hope in a  society on the brink of collapse. And, oh, that camerawork! (12/27/06)<br />
#1 &#8211; Amelie &#8211; This whimsical tale of a shy do-gooder who yearns for love  is packed with delightful characters and rich details. (11/17/01)&nbsp;</p>
<p>HAPPY NEW YEAR!</p>
</div>
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		<title>Status of the site</title>
		<link>http://www.cinematter.com/blog/2002/05/29/status-of-the-site/</link>
		<comments>http://www.cinematter.com/blog/2002/05/29/status-of-the-site/#comments</comments>
		<pubDate>Wed, 29 May 2002 06:52:10 +0000</pubDate>
		<dc:creator>Madeleine Williams</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1824</guid>
		<description><![CDATA[Hmmm&#8230;I&#8217;m trying to decide what to do with the site. I&#8217;m thinking of retooling it for just reviews. Not only is the coming attractions section woefully out of date, but other sites out there are now covering the scene much &#8230; <a href="http://www.cinematter.com/blog/2002/05/29/status-of-the-site/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Hmmm&#8230;I&#8217;m trying to decide what to do with the site.  I&#8217;m thinking of retooling it for just reviews. Not only is the coming attractions section woefully out of date, but other sites out there are now covering the scene much better than I ever did&#8230;</p>
<p>Anyhoo&#8230;two reviews (by our celebrity guest reviewer) have been posted for your perusal&#8230;</p>
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		<title>Human Nature</title>
		<link>http://www.cinematter.com/blog/2002/04/12/human-nature/</link>
		<comments>http://www.cinematter.com/blog/2002/04/12/human-nature/#comments</comments>
		<pubDate>Fri, 12 Apr 2002 06:30:43 +0000</pubDate>
		<dc:creator>Alice Wack</dc:creator>
				<category><![CDATA[2002]]></category>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Charlie Kaufman]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Patricia Arquette]]></category>
		<category><![CDATA[Rhys Ifans]]></category>
		<category><![CDATA[Tim Robbins]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1784</guid>
		<description><![CDATA[First a warning to all women: Shave before you see this movie. You’ll be glad you did. “Human Nature” the movie is, not unlike human nature in life, sweet and cruel, kind and heartbreaking. The intellectual younger sibling of “Being &#8230; <a href="http://www.cinematter.com/blog/2002/04/12/human-nature/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>First a warning to all women: Shave before you see this movie.  You’ll be glad you did.</p>
<p>“Human Nature” the movie is, not unlike human nature in life, sweet and cruel, kind and heartbreaking. The intellectual younger sibling of “<a href="../../movie.php3?bjm">Being John Malkovich</a>” (same writer, Charlie Kaufman, and Spike Jonze who directed BJM is producer this time around) “Human Nature” digs a wider circle. Instead of sliding through the inner-workings of the lone Malkovich, “Human Nature” probes into our workings as individuals inside of society.</p>
<p>Our three main characters are Lila Jute (Patricia Arquette), Nathan Bronfman (Tim Robbins) and Puff (Rhys Ifans). Lila is a sensitive woman who finds isolation in a physical abnormality, then comfort in an isolated life of writing in the woods. Loneliness drives her back to the city and into the life of Nathan. Nathan has dedicated his life to the finer points of social polish such as table manners, specifically teaching them to lab rats. When he and Lila go for a hike in the woods they run into the half-human half-ape Puff swinging naked through the trees. Nathan becomes convinced that Puff is the perfect pure subject for high-level experimentation with electro-shock induced manners. Lila has her doubts but they fall to the wayside while she tries harder and harder to become a perfect woman (an eerie parallel – Puff being trained through wires and harnesses, Lila going through an equally cruel self-inflicted metamorphosis) and keep the love of Nathan.</p>
<p>The movie is told in the form of flashbacks with elements of documentary, purgatory and criminal investigation rolled in. “Human Nature” is frighteningly clever and concise with biting dialogue that never seems to fail to see under the veneer of “good manners” and “proper behavior” and yet stops short of drawing the conclusion that a return to nature is either practical or entirely desirable. In short, this movie will make you think. Not just think, it’ll come right out and make fun of you. Walk into the theatre expecting to squirm over your choices regardless of the degree to which you have embraced or rejected society and all of its little trade-offs.</p>
<p>It might even make you rethink whether you really ought to, or want to shave after all.</p>
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		<title>Ice Age</title>
		<link>http://www.cinematter.com/blog/2002/03/15/ice-age/</link>
		<comments>http://www.cinematter.com/blog/2002/03/15/ice-age/#comments</comments>
		<pubDate>Fri, 15 Mar 2002 06:29:50 +0000</pubDate>
		<dc:creator>Alice Wack</dc:creator>
				<category><![CDATA[2002]]></category>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Animation]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1782</guid>
		<description><![CDATA[“Ice Age” is a very enjoyable trip into the way distant past – never mind that the exact date we’re landing upon is somewhat ambiguous. You will immediately find yourself sucked into Pixar’s icy world by a hyper-active squirrel trying &#8230; <a href="http://www.cinematter.com/blog/2002/03/15/ice-age/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>“Ice Age” is a very enjoyable trip into the way distant past – never mind that the exact date we’re landing upon is somewhat ambiguous. You will immediately find yourself sucked into Pixar’s icy world by a hyper-active squirrel trying to save one last acorn. He runs, slides, digs and generally bounces through the winter landscape running into troubles at every turn in a way that reminds one of Wyle E. Coyote, except well—faster. But that’s just the warm up (don’t worry he comes back to us throughout the movie in bits of flawlessly timed comic relief), the main event is watching a wooly mammoth named Manfred (voiced by Ray Romano from tv’s “Everybody Loves Raymond”), a sloth named Sid (John Leguizamo from “To Wong Foo, Thanks for Everything, Julie Newmar” and “Moulin Rouge!”) and a sabertoothed tiger named Diego (Denis Leary from “The Ref” and tv’s “The Job”) team up to transport a human baby back home.</p>
<p>The friendship, the journey and all that begin when Sid wakes up late for the big migration. His family has left him behind. We start to understand their “oversight” as we watch him get into one scrape after another prompting even the vegetarians towards blood lust. Manfred comes along and begrudgingly pulls him out of a mess or two and after that he can’t shake Sid despite the fact that he is heading North into the ice rather than South with all the other animals. When Manfred and Sid happen upon a dying mother trying to save her infant, they take up the plight of getting the baby home. The task is complicated when they discover that the family has picked up and migrated since the baby was lost. “Assisting” them is Diego who leads the unlikely crew on their pursuit of the humans, all the while plotting to get the baby away for his own dark purposes.</p>
<p>In the end, if you remember not to let little things (like the somewhat silly take on what makes a herd or the fact that the animals don’t much less eat one another on their big journey) bother you, you won’t regret it. These discrepancies don’t detract from the visually pleasing style, the humor or the engaging qualities of “Ice Age”. Focus your attention on the expressions on Manfred’s face (he has an especially expressive trunk), the “grab you by the throat and shake the laughs out” physical comedy and the delightfully written dialogue. Pay your attention to these elements and the bombastic squirrel (truly, you’re going to love this squirrel) and you’re sure to walk out with a smile on your face no matter how old you are.</p>
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		<title>Hiatus&#8230;</title>
		<link>http://www.cinematter.com/blog/2001/01/01/hiatus/</link>
		<comments>http://www.cinematter.com/blog/2001/01/01/hiatus/#comments</comments>
		<pubDate>Mon, 01 Jan 2001 06:50:11 +0000</pubDate>
		<dc:creator>Madeleine Williams</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1821</guid>
		<description><![CDATA[Well, it&#8217;s probably obvious, but the updates here have been few and far between for the past few months. For personal reasons, I&#8217;m taking a hiatus from working on the website. I hope to return later this year, though it &#8230; <a href="http://www.cinematter.com/blog/2001/01/01/hiatus/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Well, it&#8217;s probably obvious, but the updates here have been few and far between for the past few months. For personal reasons, I&#8217;m taking a hiatus from working on the website.  I hope to return later this year, though it may not be for several months.  Until then, the coming attractions portion of the site will get increasingly out of date.  For accurate information, I would suggest visiting the following two websites:</p>
<ul>
<li><a href="http://www.filmreleases.com/" target="_top">The Web Film Release Schedule</a></li>
<li><a href="http://www.upcomingmovies.com/" target="_top">Upcoming Movies</a></li>
</ul>
<p>Thanks for your patience, and I hope to be back soon&#8230;</p>
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		<title>Almost Famous</title>
		<link>http://www.cinematter.com/blog/2000/09/15/almost-famous/</link>
		<comments>http://www.cinematter.com/blog/2000/09/15/almost-famous/#comments</comments>
		<pubDate>Fri, 15 Sep 2000 06:28:07 +0000</pubDate>
		<dc:creator>Madeleine Williams</dc:creator>
				<category><![CDATA[2000]]></category>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Billy Crudup]]></category>
		<category><![CDATA[Cameron Crowe]]></category>
		<category><![CDATA[Frances McDormand]]></category>
		<category><![CDATA[Jason Lee]]></category>
		<category><![CDATA[Kate Hudson]]></category>
		<category><![CDATA[Patrick Fugit]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1780</guid>
		<description><![CDATA[No stranger to the world of music, director Cameron Crowe is well known for the strong rock-and-roll soundtracks of his earlier films, Say Anything, Singles, and Jerry Maguire. However, in his youth, Crowe was actually a rock reporter for Rolling &#8230; <a href="http://www.cinematter.com/blog/2000/09/15/almost-famous/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>No stranger to the world of music, director Cameron Crowe is well known for the strong rock-and-roll soundtracks of his earlier films, Say Anything,  Singles, and Jerry Maguire.  However, in his youth, Crowe was actually a rock reporter for Rolling Stone.  Now, the director dips into the well of his own adolescence, and creates his strongest film, Almost Famous.</p>
<p>Loosely autobiographical, the film follows a budding rock critic, William Miller (Patrick Fugit).  In 1973, at the tender age of 15,  William is given the chance to live a dream:  Rolling Stone magazine asks him to write a piece on the rock band, Stillwater.</p>
<p>Stillwater is a middle-of-the-road band, with aspirations of greatness. Fronted by singer Jeff Bebe (Jason Lee), Stillwater has its true strength in the talented guitar player, Russell Hammond (Billy Crudup).   Although initially viewing William as &#8220;the enemy&#8221;, the band quickly warms up to him as he sinks further and further into their world. On tour with the band, William soon finds himself seduced by the fame and &#8220;coolness&#8221; that Stillwater can provide him&#8230;a perception which threatens to destroy his objectivity as a reporter.</p>
<p>Meanwhile, along the way, William is beset with girl problems.  They all start, in an oddly Freudian way, with his mother (Frances McDormand).  Although she&#8217;s portrayed as being obsessively protective of William, it is done in primarily positive tones:  she&#8217;s a sympathetic smotherer. She fears trouble with her vulnerable child let loose in the wicked world of rock and roll. That trouble appears in the lovely form of groupie (or &#8220;Band Aid&#8221;), Penny Lane.  Penny proves to be a source of turmoil for both William and Russell, but also a source of inspiration.</p>
<p>The script of Almost Famous is very well written, but has a few minor flaws.  The film garners a few quick laughs from a handful of anachronistic &#8217;70s jokes, which, although humorous, jar the audience out of the spell created by the remainder of the film. This highlights a problem the film has in balancing an honestly autobiographical tone on one hand, and a satirical Spinal Tap-esque tone on the other.  At one moment the film builds a substantial sense of earnest truthfulness, and then it blows it all away for a quick gag.</p>
<p>That said, the dialogue is solidly written, and the interplay between the characters is priceless.  In particular, Cameron Crowe gifts the talented actor, Phillip Seymour Hoffman, with several choice speeches for his role as Lester Bangs, founder of the rock magazine, Creem, and mentor to young William.</p>
<p>Fugit is remarkably passive throughout the film, as he is primarily a sounding board for the other characters.  However, the remainder of the cast has energy to spare.  Crudup and Lee are vivid as the two distinct Stillwater members.  But the true breakout star here is Kate Hudson, who creates a poignant portrait of a young woman who feels the need to cloak herself in the proximity of fame. The seduction of the rock-and-roll lifestyle blinds her to the point that she loses her own identity. Hudson is perfect as the flawed angel&#8230;the object of unrequited love, who in turn wastes her love on an unworthy subject.</p>
<p>There is a genuine love of rock and roll on display in Almost Famous.  Like the proximity of fame, this love can be quickly seductive, and despite some minor flaws, the film emerges like a breakout superstar with a number one hit.  Rock on.</p>
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		<title>Mission: Impossible 2</title>
		<link>http://www.cinematter.com/blog/2000/05/24/mission-impossible-2/</link>
		<comments>http://www.cinematter.com/blog/2000/05/24/mission-impossible-2/#comments</comments>
		<pubDate>Wed, 24 May 2000 06:26:41 +0000</pubDate>
		<dc:creator>Madeleine Williams</dc:creator>
				<category><![CDATA[2000]]></category>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Action]]></category>
		<category><![CDATA[Anthony Hopkins]]></category>
		<category><![CDATA[Brendan Gleeson]]></category>
		<category><![CDATA[John Woo]]></category>
		<category><![CDATA[Thandie Newton]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Ving Rhames]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1778</guid>
		<description><![CDATA[Another Impossible Mission, this time involving the hunt for a deadly virus. Tom Cruise will star, along with Ving Rhames, Thandie Newton, Brendan Gleeson, Dougray Scott, John Polson, Rade Serbedzija and Richard Roxburgh. Anthony Hopkins will play Cruise&#8217;s new boss. &#8230; <a href="http://www.cinematter.com/blog/2000/05/24/mission-impossible-2/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<h1><img src="../../gifs/mi2.jpg" alt="Mission: Impossible 2" /></h1>
<p>Another Impossible Mission, this time involving the hunt for a deadly virus.  Tom Cruise will star, along with Ving Rhames, Thandie Newton, Brendan Gleeson, Dougray Scott, John Polson, Rade Serbedzija and Richard Roxburgh.  Anthony Hopkins will play Cruise&#8217;s new boss. Michael Tolkin and David Marconi have written the script.  John Woo will direct.</p>
<p><strong>Capsule Review</strong> Mission: Impossible 2 is, by any standard, a mediocre sequel. The convoluted plot of the first Mission: Impossible has been traded for a straight-line, connect-the-dots scenario that can&#8217;t even manage one surprising twist.  The characters are barely there, and the script overuses its minimal arsenal (how many times must the &#8220;perfect&#8221; latex disguise mask be used?).  There&#8217;s never a feeling of jeopardy, despite the entire world being at stake.  Nor do any of the action sequences spur much excitement, mostly due to poor editing.  As soon as a stunt starts looking interesting, the film cuts away.  Director John Woo&#8217;s signature touches are all over this film, but this is a hamstrung version of his best works.  The movie is good for its minimal  escapism, but little more.</p>
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		<title>Small Time Crooks</title>
		<link>http://www.cinematter.com/blog/2000/05/19/small-time-crooks/</link>
		<comments>http://www.cinematter.com/blog/2000/05/19/small-time-crooks/#comments</comments>
		<pubDate>Fri, 19 May 2000 06:25:47 +0000</pubDate>
		<dc:creator>Madeleine Williams</dc:creator>
				<category><![CDATA[2000]]></category>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Hugh Grant]]></category>
		<category><![CDATA[Jon Lovitz]]></category>
		<category><![CDATA[Michael Rapaport]]></category>
		<category><![CDATA[Tracy Ullman]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://www.cinematter.com/blog/?p=1776</guid>
		<description><![CDATA[Woody Allen directs and stars in this comedy about a group of dimwitted thieves trying to rob a bank. Michael Rappaport, Hugh Grant, Tracy Ullman, Elaine May and Jon Lovitz also star. Capsule Review: One of Woody Allen&#8217;s better comedies &#8230; <a href="http://www.cinematter.com/blog/2000/05/19/small-time-crooks/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Woody Allen directs and stars in this comedy about a group of dimwitted thieves trying to rob a bank.  Michael Rappaport, Hugh Grant, Tracy Ullman, Elaine May and Jon Lovitz also star.  <strong></strong></p>
<p><strong>Capsule Review:</strong> One of Woody Allen&#8217;s better comedies of recent years, Small Time Crooks foregoes the traditional angst, and concentrates on the laughs.  Elaine May far and away steals her scenes, but the entire cast is memorable.  It&#8217;s not deep, but it&#8217;s funny!</p>
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